I know I’m no fun, but I think we’ve established that Jane Austen prequels, sequels, mash-ups, and other literary Photoshoppings make my heart sink and my blood pressure rise. It’s not that I don’t appreciate fandom (heaven knows I appreciate fandom), or that I don’t have a sense of humor about Jane—I do, and anything else would miss the point. This isn’t even a Jane Austen Hates You post; it’s just that, well, I don’t want the Darcys’ sex life play-by-play, and I don’t want to see the Bennet sisters fight monsters (sea, nocturnal blood-sucking, or otherwise), and I don’t want to hear about Jane coping as a swingin’ modern-day vampire looking for love in the big city.
So you’d think my old-lady fists would be shaking full-force over Jane via Bollywood, in the form of Gurinder Chadha’s 2004 remake Bride and Prejudice and the upcoming Emma remake, Aisha.
To which I say, who doesn’t love a good bhangra number?
For me, it’s all a question of basic (if implied) intent. Austen sequels, mash-ups, and the like so often come across as attempts either to paint Jane in a hipper, funnier light—as if she needs the help—or to add to the canon she left behind. The implication is that Jane’s work has no place in contemporary culture if we don’t see it through the familiar lenses of bodice-rippers/Sex and the City/debilitating irony; even straight-up sequels set in Austen’s universe, which are clearly labors of love on the parts of the authors, tend to imply that Jane’s work deserves some kind of follow-up (and, with a brand of guts that I personally could never muster, that they are the one to provide it!). On the other hand, Bollywood Jane is—so far—a work of pure appreciation. In Bride and Prejudice, nobody ever implies that Austen needs changing or supplementing, or that the Indian audience wouldn’t relate to a straight re-telling. There’s no sense that the original novel would be better with a modern-day Indian setting; if anything, it’s the other way around. In fact, the change of scenery and style occurs almost separately from the story, and function as a tribute to the universality of Austen’s themes—as the setting changes, the narrative and key themes remain surprisingly the same.
Besides, Bollywood Jane gives a whole new meaning to the term “choreographed group dance.” I love a ball, indeed:
If Aisha can offer the same thoughtful, affectionate take on Emma, well, bring on the dhol.
austenacious 